‘Quest for Fire’ by Skrillex – Flawless mixing, versatility and UK scene influences


The dubstep king, Skrillex, has returned with his first solo album since 2014 with ‘Quest For Fire’, an album that really embodies the versatility of the EDM genre!

Perhaps Sonny’s newly formed friendship with the two Brits, Fred Gibson (Fred Again..) and Kieran (Four Tet) has not only effected his popularity but his music too. The first of 2 albums to be released in 2023 feels heavily influenced by UK garage culture as well as drum and bass. This is emphasised by the choice of features for example grime rapper Flowdan on both ‘Rumble‘ and ‘Hydrate‘.  Similarly, third track ‘Tears‘ features the underground British grime and dubstep producer Joker, an odd but fitting choice that highlights the array of different sub-genre influences Skrillex wanted on the album.

The 15 song album is very well-curated and the mix of genres keeps the listener guessing. The majority of songs are either 2 or 3 minutes and in such a short time they all manage to pack a punch.

Despite ‘Quest For Fire‘ being extremely energetic and almost hectic, the tracks themselves are not overproduced. In an interview with Radio 1’s Jack Saunders, Skrillex said that when first producing fan favourite ‘Rumble‘ with Fred Again.. he nearly did too much and overproduced it. The pair joked about kicking fellow producer and friend Kieran (Four Tet) off the track and him being an honorary producer, “his biggest role in ‘Rumble‘ was the most important role, which was to make sure we didn’t overproduce it and fuck it up”. I think it is clear that Skrillex has carried this advice when finishing the production of the album.

Personally, I very much enjoyed the lack of major pop star features on this project in comparison to some of his previous work that featured the likes of Justin Bieber and Ed Sheeran. This adds to the authenticity as each feature seems specially chosen, which brings something unique to the song.

 

Standout Tracks

  • RATATA‘ is one of the more commercial and mainstream tracks that definitely belongs to the dance pop category. It features the iconic Hip Hop artist Missy Elliott‘s great vocals that mix perfectly alongside the sample of ‘Positif‘ by Mr Oizo to create a high-energy feel-good tune.

 

  • Hydrate‘, the brother of viral track, ‘Rumble‘ is in my opinion just as good if not better. UK grime MC Flowdan appears for the second time on the album with an excellent verse that really catches the listeners attention. Flowdan himself sums up the clean production of this track: “it’s simple, not complicated”.

 

  • Supersonic (my existence)‘ was already a fan favourite when Skrillex released it in 2021. This is probably due to its nostalgic feel as it’s very old school Skrillex with a dubstep-led sound. The slow atmospheric intro paired with eery vocals really helps to build the song up to the hard and bassy beat drop.
    Skrillex and Porter Robinson at Sky Fest (2019)

     

  • The final track ‘Still Here (with the ones that I came with)‘ is the perfect close to an emotional journey of an album. The title is pretty self explanatory with Sonny reaching out to those in the music industry he started out with, perhaps trying to reassure fans he has not changed despite over a decade of fame. This is illuminated by the collaboration with Porter Robinson a producer he has had many years of friendship with.

 

The album as a whole shows off Skrillex‘s flawless mixing and creativity with an unbelievable blend of tracks with a fitting list of guest features. Although I can see why people may find it too chaotic and lacking a clear narrative, personally I enjoyed the experimental element of the project. I think the multiple sub-genres included especially from the UK scene were used successfully and highlighted his innovativeness and versatility as an artist.

Skrillex, Fred again.. and Four Tet – A look inside their last minute ‘Rumble’ release show in London


The trio of electronic magicians played a spectacular third secret set with tickets selling out in seconds, just hours before the show!

The spontaneous run of shows from the 5th to the 7th of January were each finalised on the day of the show. This comes after Skrillex and Fred Again.. were celebrating the drop of their much anticipated single ‘Rumble’ together on the 4th. They reached out via Instagram story asking for a last-minute venue in Fred’s hometown of London. Then the chaos erupted as each artist randomly released a ticket link on their stories, only a few hours before the show, and within seconds, tickets were sold out.

Fellow DJ, Nia Archives, as well as worldwide popstar Dua Lipa were some of the huge stars spotted dancing in the crowd on Saturday night. The final show of 3 was at Troxy in East London with a capacity of just over 3,000 and it did not disappoint!

If getting tickets wasn’t lucky enough, after arriving just 45 minutes early, I managed to make my way to secure a spot about half a meter from the front barrier. As soon as the doors were open at 8pm the three DJ’s were ready at the decks, warming up the crowd, chatting to fans and setting up for what was going to be an incredible 4 hours.

The show got off to a flying start with every track hyping up the crowd more and more. I looked behind me and the venue was full of people flooding the sides and back of the decks. Fred looked up at the cheering crowd before taking the microphone, “We’re on a hattrick London and we are so gassed that you’re here with us tonight – thank you!”

They teased the crowd with a remix of ‘Rhythm N Gash‘ followed by Fred’s huge single ‘Turn On The Lights again..‘ which got the fans bouncing  and that’s when the real lightshow started. Dubstep heavyweight Skrillex then took to the decks, playing his own remix of Kendrick Lamar‘s ‘HUMBLE’.

However, the show wasn’t without its flaws as 2 hours in the sound system started glitching and Four Tet was cut off more than once which left everybody confused. After an awkward few minutes of no music, three stressed DJ’s and Skrillex passing the blame to anyone but himself – of course it was fan favourite Fred Again.. who saved the day.

With a smile on his face, he took out his keyboard and plays the melody of his own song ‘Danielle‘ telling the crowd “we don’t know what’s going to happen, you don’t know what’s going to happen but we might as well give it our best.” At this point everyone (including myself) was just ecstatic that the show was carrying on despite sweat dripping from the ceiling.

The energy in the room then became electric as the trio welcomed special guest Flowdan and it was time to RUMBLE. The new single was remixed more than 5 times with Flowdan flawlessly rapping live to the crowds delight.

As the show was coming to a close, a roller-coaster of emotions were experienced. My night peaked when I heard a drum and bass remix of Harry Styles’ ‘As it Was’. Although this was short lived when the song was stopped after a careless crowd surfer dived off the decks and into the crowd, knocking out a girl on his way down.

After a short break and the girl getting to safety with help from none other than Sonny (Skrillex) himself – the show continued.

To end the remarkable evening,  Fred Again.. played an emotional last tune from his first solo album called ‘Angie (i’ve been lost)’ telling the crowd to repeat the moving lyrics “Lost, I’ve been lost, but I’m really trying”.

The love and respect between the three talented producers was completely infectious. Throughout the night I could see strangers coming together to share moments that will last a lifetime.

Check out @chunesmp on TikTok for exclusive video content from the night.

 

To read more on Fred Again.. and his incredible rise to solo fame in the electronic scene, click this link: https://chunes-blogs-lincoln-ac-uk.blogs.lincoln.ac.uk/2022/10/04/fred-again-from-lowkey-background-producer-to-king-of-electronic-music/