‘Quest for Fire’ by Skrillex – Flawless mixing, versatility and UK scene influences


The dubstep king, Skrillex, has returned with his first solo album since 2014 with ‘Quest For Fire’, an album that really embodies the versatility of the EDM genre!

Perhaps Sonny’s newly formed friendship with the two Brits, Fred Gibson (Fred Again..) and Kieran (Four Tet) has not only effected his popularity but his music too. The first of 2 albums to be released in 2023 feels heavily influenced by UK garage culture as well as drum and bass. This is emphasised by the choice of features for example grime rapper Flowdan on both ‘Rumble‘ and ‘Hydrate‘.  Similarly, third track ‘Tears‘ features the underground British grime and dubstep producer Joker, an odd but fitting choice that highlights the array of different sub-genre influences Skrillex wanted on the album.

The 15 song album is very well-curated and the mix of genres keeps the listener guessing. The majority of songs are either 2 or 3 minutes and in such a short time they all manage to pack a punch.

Despite ‘Quest For Fire‘ being extremely energetic and almost hectic, the tracks themselves are not overproduced. In an interview with Radio 1’s Jack Saunders, Skrillex said that when first producing fan favourite ‘Rumble‘ with Fred Again.. he nearly did too much and overproduced it. The pair joked about kicking fellow producer and friend Kieran (Four Tet) off the track and him being an honorary producer, “his biggest role in ‘Rumble‘ was the most important role, which was to make sure we didn’t overproduce it and fuck it up”. I think it is clear that Skrillex has carried this advice when finishing the production of the album.

Personally, I very much enjoyed the lack of major pop star features on this project in comparison to some of his previous work that featured the likes of Justin Bieber and Ed Sheeran. This adds to the authenticity as each feature seems specially chosen, which brings something unique to the song.

 

Standout Tracks

  • RATATA‘ is one of the more commercial and mainstream tracks that definitely belongs to the dance pop category. It features the iconic Hip Hop artist Missy Elliott‘s great vocals that mix perfectly alongside the sample of ‘Positif‘ by Mr Oizo to create a high-energy feel-good tune.

 

  • Hydrate‘, the brother of viral track, ‘Rumble‘ is in my opinion just as good if not better. UK grime MC Flowdan appears for the second time on the album with an excellent verse that really catches the listeners attention. Flowdan himself sums up the clean production of this track: “it’s simple, not complicated”.

 

  • Supersonic (my existence)‘ was already a fan favourite when Skrillex released it in 2021. This is probably due to its nostalgic feel as it’s very old school Skrillex with a dubstep-led sound. The slow atmospheric intro paired with eery vocals really helps to build the song up to the hard and bassy beat drop.
    Skrillex and Porter Robinson at Sky Fest (2019)

     

  • The final track ‘Still Here (with the ones that I came with)‘ is the perfect close to an emotional journey of an album. The title is pretty self explanatory with Sonny reaching out to those in the music industry he started out with, perhaps trying to reassure fans he has not changed despite over a decade of fame. This is illuminated by the collaboration with Porter Robinson a producer he has had many years of friendship with.

 

The album as a whole shows off Skrillex‘s flawless mixing and creativity with an unbelievable blend of tracks with a fitting list of guest features. Although I can see why people may find it too chaotic and lacking a clear narrative, personally I enjoyed the experimental element of the project. I think the multiple sub-genres included especially from the UK scene were used successfully and highlighted his innovativeness and versatility as an artist.

The 1975’s ‘Being Funny In A Foreign Language’ album REVIEW


NOT A SINGLE SKIP – UNAPOLOGETICALLY THEMSELVES!

The British quartet’s new album ‘Being Funny In A Foreign Language’ reached number 1 last week on the Official UK Charts, outselling the rest of the top 5 albums combined.  The short but amazingly sweet album of just 44 minutes is an incredible fusion of pop and rock.

The Jack Antonoff produced record flows seamlessly as all songs follow the cool dream pop sound that The 1975 are notorious for. This completely contrasts from their previous album ‘Notes On A Conditional Form’, as its erratic genre-mixing made it confusing and a less enjoyable listen.

The album feels like it was released at the perfect time (not only because Taylor swift dropped the week after) because it has a certain warmth that encapsulates the autumnal spirit – jacket weather, coffee shops and orange leaves.

Frontman, Matty Healy, sings smoothly complimenting the synths, saxophone solos and 80’s funk rock sound on songs such as ‘Happiness‘. Personally, I think the honest, yet random lyrics mirror how chaotic it is to be a young person in 2022. Furthermore, the song writing is so captivating because the lyrics go from completely light-hearted, satirical and cliche in ‘Wintering’ straight into the lyrically rich, emotive ballads in the final 3 tracks. The juxtaposition brings variety and makes the record an interesting and unpredictable listen.

In an interview with Vulture, Healy said: “I think there’s an element of just growing up that you can hear in the record and across it – the way we did it, why we did it and how it sounds”. Perhaps this is the reason the opening song ‘The 1975’ breaks tradition as it’s without the iconic opening of “go down, so soft, midnight, car lights, playing with the air …”. Instead, the band centres the song around the devastatingly beautiful lyric ‘sorry If you’re living and you’re 17’ which seems empathetic and reflects the uncertainty of being a teenager, possibly directed at fans struggling with the transition into being a young adult.

 

About you,’ is the standout track for me, the heartfelt ballad has a bridge that could certainly rival the likes of Taylor Swift but who is the mystery singer? It’s Carly Holt, married to 1975’s own guitarist Adam Hann, the soft female voice compliments Matty’s remarkably.

My final thoughts are that the new album is simply addictive and despite ‘BFIAFL’ being the bands 5th studio album, it is definitely some of their best work to date. The 1975 have perfected their own sound and write with new maturity, empathy and of course underlying humour.

Rex Orange County’s ‘WHO CARES?’ – Unexpectedly Uplifting!


 

Alex O’Connor, known famously as Rex Orange County has just released his much-anticipated 4th album, ‘WHO CARES?‘, but it is not the sorrowful breakup album most fans were expecting. Instead, Rex focuses on healing and self-reflection through enjoyable melodies.

Listen to ‘WHO CARES?‘ here: https://open.spotify.com/album/2yI4m5Yu2tl8v0It5P9WVz?si=Fkq2xIXtTTSRxSfAjVZuzQ

It feels like Rex has perfected his own sound, dominating the genre of bedroom indie pop. Similar artists include: Easy Life, Wallows and Mac DeMarco.

The short but sweet album of only 35 minutes is the perfect alternative summer album. It presents difficult themes such as stress, lack of motivation, depression and not fitting in, that noticeably contrasts his amiable soothing style. This contrast is what allows listeners a form of escapism as all songs have a nostalgic comforting feel, paired with the relatability of the heartfelt lyrics.

However, despite personally loving most the tracks, I can understand why fans are confused or in some cases disappointed. In comparison to his last album ‘Pony’, the new album lacks the same depth and variety of tracks.

As although Rex is famous for his catchy jazzy pop hits, his real fans know he makes some of the best sad songs in modern music and after his breakup fans expected at least a few tear-jerking ballads they could relate to. However, it seems like the singer songwriter is in a happier state of mind now, so it seems wrong to wish for sad songs for my own gain.

The albums simplicity and Alex’s charmingly awkward persona makes it a very enjoyable listen, and I am confident that it will only get better with every listen. However, there is definitely some stand out songs.

  • Firstly, one of the singles ‘AMAZING’ as it is annoyingly catchy! I have found myself adding it to my Spotify queue and singing it randomly in the kitchen way too many times to be ignored.
  • Next, ‘OPEN A WINDOW’ featuring Tyler the Creator as it has a nostalgic almost 80’s vibe paired with modern lyrics. The fact Tyler is the only collaboration song feels oddly wholesome as he was the artist that helped Rex rise to fame in 2017 when Tyler featured him on the now platinum album ‘Flower Boy’ – so it feels like a full circle moment in their friendship.
  •  ‘SHOOT ME DOWN’ is already a personal favourite of mine as it weirdly feels like a Bond theme song but in the best way possible.

(Posted:13th of March)