Slowthai’s Banquet Records concert Review: manic but unforgettable!


The Northampton-born alternative artist played two back-to-back Banquet Records gigs in Kingston (Greater London) last weekend. The concerts showcased the love him and his fans share for new album ‘UGLY’!

The shows followed his six-date run of £1 ticket small pub shows at the beginning of March and a week following the release of his newest project ‘UGLY’. The album that includes a fusion of both punk and grime perfectly illuminates Tyron’s talent with creative lyrics, raw vocals and stripped back production.

Ty’s transparency and vulnerability in his storytelling is what enables him to connect to Britain’s younger generation.

This set of dedicated fans mostly made up of patchwork tattoo and mullet owners did not disappoint and really brought the frantic high energy you would associate with the punk genre to the venue of just under 2000.

Slowthai welcomed fans with a smile asking “how are we feeling? do you feel good? Do you feel great? Do you feel alive?” before joking “I heard a lot of you have been in spoons, so hopefully you’re a lively bunch tonight!”

Setlist:

  • Selfish
  • Sooner
  • Feel Good
  • HAPPY
  • Sorrymum
  • Wotz funny
  • 25% Club
  • adhd
  • feel away
  • falling
  • Tourniquet
  • Deal Wiv it
  • Doorman
  • Yum (encore)

Slowthai began the setlist with 7 songs from the new album including upbeat singles ‘Feel Good’ and ‘HAPPY’. As soon as the music started the crowd instantly began pushing, jumping, drink throwing and opening up the mosh pit in true punk fashion.

The live band played flawlessly adding so much more to the performance and overall atmosphere. The small venue allowed everyone to have a great view of the stage and the option of being a part of the intense pushing or watching safely from the side-lines.

Tyron himself seemed overwhelmed with joy and contentment as he performed, taking complete ownership of the stage. After receiving a bouquet of flowers from a loving fan he went on to express his gratitude for the people in the room as well as his friends and family.

Slowthai then calmed it down, playing a collection of slower ballads. This includes two slower more emotional songs off his last album ‘TYRON’ (that reached number 1 in the Official Charts) called ‘adhd’ and ‘feel away’. Whilst watching his faultless performance I noticed a handful of listeners in the crowd being reduced to tears highlighting just how meaningful his tracks can be. Although, to ruin the wholesome moment between Slowthai and his admirers the mosh-pits (rather embarrassingly) continued.

To end the incredible show, Slowthai performed two older songs from 2019, fan-favourites ‘Deal Wiv it’ and ‘Doorman’. The crowd’s jumping had the whole room shaking at one point. And to be honest being at the edge of the mosh pit for a whole 10 seconds was enough for me, although it felt like a near death experience – it was completely worth it.

The encore was the opening track to the new album ‘Yum’ and was the ideal ending to what was a lively and euphoric show, Ty left the stage thanking fans and telling them he will be back again soon.

Slowthai took to twitter after the show, saying “tonight was banging” and retweeted a video from the show captioning it “beautiful”.

Overall, I was seriously impressed by Slowthai’s vocals and overall performance. As a frequent Banquet Record’s show attender, I would say this has been my favourite of all, topping huge mainstream artists such as Stormzy. This is simply due to the enormous amount of energy and emotion that Tyron radiates that he feeds straight back into the crowd.

The 1975’s ‘Being Funny In A Foreign Language’ album REVIEW


NOT A SINGLE SKIP – UNAPOLOGETICALLY THEMSELVES!

The British quartet’s new album ‘Being Funny In A Foreign Language’ reached number 1 last week on the Official UK Charts, outselling the rest of the top 5 albums combined.  The short but amazingly sweet album of just 44 minutes is an incredible fusion of pop and rock.

The Jack Antonoff produced record flows seamlessly as all songs follow the cool dream pop sound that The 1975 are notorious for. This completely contrasts from their previous album ‘Notes On A Conditional Form’, as its erratic genre-mixing made it confusing and a less enjoyable listen.

The album feels like it was released at the perfect time (not only because Taylor swift dropped the week after) because it has a certain warmth that encapsulates the autumnal spirit – jacket weather, coffee shops and orange leaves.

Frontman, Matty Healy, sings smoothly complimenting the synths, saxophone solos and 80’s funk rock sound on songs such as ‘Happiness‘. Personally, I think the honest, yet random lyrics mirror how chaotic it is to be a young person in 2022. Furthermore, the song writing is so captivating because the lyrics go from completely light-hearted, satirical and cliche in ‘Wintering’ straight into the lyrically rich, emotive ballads in the final 3 tracks. The juxtaposition brings variety and makes the record an interesting and unpredictable listen.

In an interview with Vulture, Healy said: “I think there’s an element of just growing up that you can hear in the record and across it – the way we did it, why we did it and how it sounds”. Perhaps this is the reason the opening song ‘The 1975’ breaks tradition as it’s without the iconic opening of “go down, so soft, midnight, car lights, playing with the air …”. Instead, the band centres the song around the devastatingly beautiful lyric ‘sorry If you’re living and you’re 17’ which seems empathetic and reflects the uncertainty of being a teenager, possibly directed at fans struggling with the transition into being a young adult.

 

About you,’ is the standout track for me, the heartfelt ballad has a bridge that could certainly rival the likes of Taylor Swift but who is the mystery singer? It’s Carly Holt, married to 1975’s own guitarist Adam Hann, the soft female voice compliments Matty’s remarkably.

My final thoughts are that the new album is simply addictive and despite ‘BFIAFL’ being the bands 5th studio album, it is definitely some of their best work to date. The 1975 have perfected their own sound and write with new maturity, empathy and of course underlying humour.